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BSOC: Spanish Nights
October 9 @ 7:30 pm
The BSOC welcomes guest conductor Jaume Santonja. Our salute to extraordinary places features celebrated guitarist Rafael Aguirre performing Rodrigo’s jewel for Spanish guitar, the Concierto de Aranjuez. Also, enjoy selections from Falla’s Three-Cornered Hat and Ginastera’s Estancia.
RAFAEL AGUIRRE |GUITAR
Rafael Aguirre is an internationally acclaimed musician whose deep understanding of music, dazzling virtuosity, and immensely diverse repertoire has taken him to 37 countries. The beginning of his extraordinary career was marked by winning thirteen first prizes at international competitions (including the Tarrega Competition and Pro Musicis, New York). He is currently one of the most celebrated guitarists worldwide.
Rafael performs regularly in prestigious venues, including Carnegie Hall in New York, Concertgebouw Amsterdam, Vienna Konzerthaus, Moscow Tchaikovsky Hall, Philharmonie am Gasteig in Munich, Hamburg Laeiszhalle and Elbphilharmonie, Palau de la Musica in Barcelona, King’s Place London, Saint Petersburg Philharmonia, Cuba’s National Theatre, the Hyogo Performing Arts Center (Japan) and the Seoul Arts Center (South Korea).
His debut at the Verbier Festival in Switzerland performing Rodrigo’s Concierto de Aranjuez with the Verbier Chamber Orchestra was broadcast by medici.tv, and is the most viewed video on their Facebook page, which gained over 3 million views in just twelve months.
An extensive repertoire, with more than 30 concertos for guitar and orchestra has allowed him to perform with the KBS Symphony Orchestra in Korea, the Orchestre National de Lyon, Toulon Opera Symphony, Bruckner Orchester Linz, Baden-Baden Philharmonic, Thüringen Philharmonic, Pforzheim Chamber Orchestra, New Westfalia Philharmonic, Robert Schumann Philharmonie Chemnitz, Moscow New Russia, RTVE Symphony, Malaga Philharmonic, Cámera Musicae Symphony, Extremadura Orchestra, and the Castilla y León Symphony Orchestra, among others, under conductors such as Jesús López Cobos, Lorenzo Viotti, Karina Canellakis, Domingo Hindoyán, Miguel Ángel Gómez Martínez, Yoel Levi, Pavel Baleff, Guillermo García Calvo, Sebastian Tewinkel, Clemens Schuldt and Alexandre Myrat.
Following in the classical tradition of Andrés Segovia and Narciso Yepes, Rafael Aguirre additionally seeks to expand and innovate in the repertoire of his instrument, incorporating music from different styles, such as flamenco, chamber music, pop, film music, or Spanish and Latin American folk music. His collaborations with contemporary composers have given him the opportunity to premier works by Sergio Assad (Grammy Award winner), Joaquín Clerch, Agustín Castilla Avila, David del Puerto and Daniel Real, among others.
His first recital album was published by RTVE Música, followed by two others released by Naxos. With the German label KSGExaudio, he released “Transcriptions” with music by Bach, Scarlatti, Mendelssohn, Schumann, Debussy, Ravel and Gershwin transcribed for guitar from original piano music. His collaboration with cellist Nadège Rochat resulted in the release of “La Vida Breve” by the label Ars Produktion. Two other projects presented him with an exciting repertoire of Brazilian music (with Anette Maiburg’s ensemble for the label MDG) and Portuguese fado (with singer Filipa Tavares). His eighth project has been released by Naxos in 2018 with the First World Recording of Lorenzo Palomo’s “Fulgores” with Castilla y León Symphony, violinist Ana Valderrama, and Maestro Jesús López Cobos.
As a result of these recordings, he has been pre-nominated for a Latin Grammy and has received enthusiastic reviews by Gramophone, The Strad, and Crescendo Magazine, also appearing on broadcasts by international radios such as the BBC, NPR, CBS, Radio Stephansdom de Viena, Radio Berlin Brandenburg, HR Hessische Rundfunk, Bayerische Rundfunk, NDR, MDR, Radio Nacional de España and The New Classical FM (Toronto).
At the age of 16, he made his orchestral debut with the “Concierto de Aranjuez” and the Malaga Youth Symphony Orchestra touring Spain and Morocco. He was awarded scholarships from the Andalusian Government and the Alexander von Humboldt Foundation that enabled his studies at the Düsseldorf Hochschule Robert Schumann in Germany with Prof. Joaquin Clerch, where he graduated with the highest honors. He later studied with Professor Michael Lewin at the Royal Academy of Music in London. Rafael currently lives in Madrid.
JAUME SANTONJA | GUEST CONDUCTOR
Associate Conductor: Euskadiko Orkestra/Basque National Orchestra
Assistant Conductor: City of Birmingham Symphony Orchestra
Founder: AbbatiaViva music collective
Jaume Santonja is recently appointed as Associate Conductor of the Euskadiko Orkestra (Basque National Orchestra) in San Sebastian. Since 2018 he’s also Assistant Conductor of the City of Birmingham Symphony Orchestra (CBSO).
Jaume got great success on his debuts with the BBC National Orchestra of Wales, the RTVE Orchestra of Madrid as well as in his first subscription concert with the City of Birmingham Symphony Orchestra into his centenary season celebration:
“Prokofiev’s Symphony No. 7 is wonderfully deft and deceptively simple, with dark undertones; like Dickens’ writings on childhood. Santonja balanced ebullience, the lashings of percussion and the final madcap gallop, with pathos; its quiet ending with death as the winding down of a music box mechanism.”- Slipped Disc
Jaume was selected among the four most promising young talented conductors to participate in June 2020 to the exclusive masterclasses with Iván Fischer and the Royal Concertgebouw Orchestra in Amsterdam.
Next engagements will bring him in front of the Orchestra Sinfonica di Milano LaVerdi, National Orchestra and Chorus of Madrid (OCNE), Euskadiko Orkestra (EO), Tenerife Symphony Orchestra, Málaga Philharmonic, South Netherlands Philharmonic, Bilkent Symphony, Opera North Orchestra in Leeds, Phion-Orchestra of Gelderland & Overijssel, among others.
Jaume is the founder of the AbbatiaViva music collective.
Santonja has seen success at various international conducting contests and holds a Master of Music (Conducting) from the Royal Conservatory of Antwerp (Belgium) and a Master of Music (Percussion) from the Amsterdam Conservatorium (Holland). He studied for his Bachelor’s degree at ESMuC (Escola Superior de Música de Catalunya, Barcelona, Spain).
As a player, Jaume is a former solo-percussion of the Antwerp Symphony Orchestra (Belgium) and had the pleasure to collaborate with world-class orchestras such as the Amsterdam Royal Concertgebouw Orchestra, the Rotterdam Philharmonic, the City of Birmingham Symphony Orchestra, the Spanish National Orchestra, among the others. There he had the privilege to play under conductors such as Mariss Jansons, Daniele Gatti, Yannick Nezet-Seguin, Valery Gergiev, Pierre Boulez, Andris Nelsons, Zubin Mehta, James Levine, Charles Dutoit, Essa-Pekka Salonen etc. As a student, he was a member of the Gustav Mahler Jugendorchester and the Verbier Festival Orchestra.
Jaume has also an activity as a music arranger and orchestrator, as well as a composer for chamber music works (another of his passions).
Manuel de Falla (1876–1946) | The Three-Cornered Hat: Scenes and Dances from Part 1
In 1916 the impresario Serge Diaghilev (of Firebird and The Rite of Spring notoriety) requested the use of Falla’s Nights in the Gardens of Spain for a ballet. Falla thought the piece ill-suited to a dance interpretation and offered, instead, to write an original score. He proposed basing it on the novel, The Three-Cornered Hat, by the Spanish writer Pedro Antonio de Alarcon (1833-1891). Because of wartime difficulties, it was tried first in Madrid in 1917 as a pantomime, accompanied by a chamber orchestra. The expansion to a full ballet, with costumes and scenery by Pablo Picasso, was widely successful following its premier by Diaghilev’s Ballets Russes in London in 1919.
The story is a comic tale of a miller, his young wife, and a foolish Corregidor—a local magistrate—who wants to have an affair with her. After several farcical complications, the young people manage to foil the old philanderer. The same tale had served as the source for Hugo Wolf’s opera, Der Corregidor, in 1896. In 1934 it was the basis of a Broadway musical, Revenge With Music, with songs by Arthur Schwartz and Howard Dietz, including, “If There Is Someone Lovelier Than You” and “You and the Night and the Music.”
The Billings Symphony has performed music from Falla’s ballet several times through the years. The most recent performance of this particular collection was in February 2013 under the baton of Maestra Anne Harrigan.
Joaquín Rodrigo (1901-1999) | Concierto de Aranjuez
The music of Joaquín Rodrigo is steeped in the music and culture of his native Spain: from Baroque music of the early Spanish church to folk melodies and traditional Spanish folk instruments, especially the guitar. Born in Sagunto, Valencia, in 1901, Rodrigo was blinded at the age of three by diphtheria—a calamity which he credited to his early and lifelong involvement in music. A talented pianist as well as composer, he transcribed many of his orchestral works for one or two pianos. His catalog shows a definite flair for the concerto form with works for a variety of soloists, including guitarist Andrés Segovia, flutist James Galway, harpist Nicanor Zabaleta, and cellist Julian Lloyd Webber.
The cornerstone of the composer’s reputation, the Concierto de Aranjuez, was composed in 1939, and dedicated to Regino Sainz de la Maza, who performed the premiere on November 6, 1940 in Barcelona. Rodrigo chose the title “to indicate a specific time: the end of the eighteenth and beginning of the nineteenth centuries, the courts of Charles IV and Ferdinand VII, a subtly stylized atmosphere of majas, bullfighters, and Spanish sounds returned from America,” as well as “the fragrance of magnolias, the singing of birds, and the gushing of fountains” in the gardens of Aranjuez.”
In Rodrigo’s own program notes for the initial performance, he wrote: “The first movement is animated throughout by the same rhythmic strength and joy, with neither of its two themes interrupting its onward course. The second is a form of elegiac dialogue between the guitar and the solo instruments (cor anglais, bassoon, oboe, horn, etc.). A deep and uninterrupted pulse maintains the whole edifice in sound of this movement. The third movement evokes a courtly dance, in which a combination of bars (in duple and triple time), as well as extremely light scoring, maintains a lively tempo until the very end.”
The Concierto de Aranjuez was an instant, rousing success and established Rodrigo as one of the most significant Spanish composers of the 20th century. The work has been arranged for many other solo instruments, and the theme of the second movement was famously adapted by trumpeter Miles Davis on his 1960 Sketches of Spain album—his version in turn becoming a jazz standard. In 1992, in honor of Rodrigo’s 90th birthday, King Juan Carlos I of Spain awarded him the hereditary title, Marqués de los jardines de Aranjuez (Marquis of the gardens of Aranjuez).
The Billings Symphony presented this Rodrigo concerto two times previously: with Rey de la Torre, considered by many to be the father of modern classical guitar technique (1961), and with William Kanengiser, one of the founding members of the Los Angeles Guitar Quartet (1986).
Alberto Ginastera (1916–1983) | Danza del Trigo and Malambo from Estancia
Two Dances from Estancia
In 1941, the American ballet director Lincoln Kirstein commissioned Ginastera for a “ballet in one act and five scenes, based on Argentine country life.” The resulting work, Estancia, was to be performed by the American Ballet Caravan, a platform for young American choreographers whose aim was to move ballet away from Russian traditions (one of the company’s biggest hits was another cowboy ballet: 1938’s Billy the Kid, with music by Copland). The troupe disbanded before the premiere, leaving Estancia in limbo. Ginastera reworked four of the episodes into an orchestral suite that was introduced in 1943, but the complete ballet did not premier until 1952, when it was presented by the Teatro Colón. Despite this considerable delay, the work was a tremendous success and firmly cemented Ginastera’s international reputation.
Estancia (Argentine for “ranch”) tells the story of a city boy struggling to adapt to life in the country. His love for a local girl is unrequited, because she considers him too weak and unskilled to be able to compete with the local gauchos (cowboys). The boy eventually wins her affections by immersing himself in ranch life until he is able to beat his rivals at their own games, in the culminating Final Dance, which is a malambo—a frenetic Argentine dance in which gauchos compete to demonstrate their prowess and masculinity.
This is the Billings Symphony’s first performance of this Ginastera work.